John Cage Essay -- Biography Bio Musician 1950s

John batting cage Defined in the mid-fiftiesJohn Cage is considered by many to be the defining constituent of avant-garde music throughout the 20th century. Fusing philosophy with composition, he reinvented the brass instrument of modern music, leading composer Arnold Schoenberg to declare, Of course hes not a composer, but hes an armourer -- of genius (Kostelanetz 6). For Cage, the 1950s brought a series of critical events that both elegant his message as a composer and brought him great fame, or infamy to some. His sake in Eastern Zen philosophy blossomed throughout the early objet dart of the hug drug, a subject that is actively pursued and reinforced in all(prenominal) of his following musical works. The 1950s also brought the revelation for Cage that skilful is inherently present in all of us when he entered an anechoic chamber at Harvard University. This manifested in his work as the famous dull piece 433. Cages involvement at Black slew College during this period co ntributed queer development to his music and ideas that defined the rest of his works. The 1950s were the defining decade for the career of philosopher and composer, John Cage.Cage was born into a Los Angeles middle sectionalisation family in 1912. His father was a less than successful inventor -- dabbling in the areas of submarines, medicine, space travel, and electrical engineering -- who instilled in him the idea that if someone says cant, that shows you what to do. (Cage, An autobiographic Statement) Cage learned how to play the piano as a electric shaver and took a liking to Grieg, and even briefly considered becoming a concert pianist. However, when Cage went to college it was to become a writer. He was deeply disillusioned by the conformity he saw in the studentsI was shocked at college... ... remainder of his life.ReferencesCage, John An Autobiographical Statement 1988 http//www.newalbion.com/artists/cagej/autobiog.htmlCage, John. For the Birds John Cage in conversation with Daniel Charles. Salem, NH Marion Boyars. 1976.Cage, John. Silence Lectures and Writings by John Cage. Hanover, NH Wesleyan University Press. 1961.Kostelanetz, Richard. Conversing with Cage. stark naked York, NY Routledge. 2004 (1987 orig.).Patterson, David Wayne. Appraising the Catchwords, c. 1942-1959 John Cages Asian-Derived Rhetoric and the Historical Reference of Black Mountain College. PhD thesis, Columbia University. 1996Pritchett, James. The Music of John Cage. New York, NY Cambridge University Press. 1993.Solomon, Larry J. PhD. The Sounds of Silence John Cage and 433. Pima College, 1998.http//music.research.home.att.net/4min33se.htm